The NxNW Crew had such a good time light painting Delicate Arch we decided to head to a new location. After navigating down the path from Delicate Arch with headlamps we ventured over to Double Arch, which is in the Windows area of Arches National Park. We interrupted a couple doing some time-lapse work and so we waited patiently for them to finish and hoped that we could light paint Double Arch before the Full Moon rose that evening.
I was finally able to test out the Brinkmann Dual Xenon Spotlight. Let me just say this thing has some intense power and was more than enough to light Double Arch. I had actually tested it a few times at Delicate Arch and was able to light the arch with a single beam from 50-75 yards away. I’m sure that with both beams active the light is really intense. It’s a fantastic light for light painting and it’s also rechargeable so you don’t have to constantly feed it batteries. It come’s with a car charger so when you are in remote locations you can just plug it into your car’s cigarette lighter and don’t have to look for a plug.
With some experimenting and advice from Dave Wilson we realized that hitting an object straight on from the camera’s perspective gave the Arch a flat look. Chris Nitz was kind enough to take over the reigns and did the light painting honors from the left side of the arch. He climbed up into a clearing and painted the arch while we triggered our cameras. Lighting an object from the side allows the object to still show its texture and shape and give’s it a much more natural look.